Several months ago, I excerpted a few passages from Jane Jacobs' work addressing street width. As it turns out, one of her great antagonists had even more to say on the topic: not Robert Moses, but Lewis Mumford, whose scornfully-titled rebuttal to The Death and Life of Great American Cities came only a year after the publication of his own magnum opus, The City in History.
Mumford's own views on urbanism didn't fit neatly into any single category of his day, or ours. While he abhorred the industrialized city, he was also a vocal opponent of sprawl; in the heyday of highway building, he singled out the interstates as the destroyers of cities; he wrote admiringly of the medieval town, yet the garden city forms he advocated bore little resemblance to 13th century Bruges or Siena. His concern with congestion was in many ways a relic of the 19th century, yet his opposition to the effects of the car anticipated the 21st. His idealized conception of small town America, meanwhile, foreshadowed the rise of the New Urbanism in the early 1990s.
Still, like Jacobs, Mumford was a perceptive observer of the urban form, and even in a book covering some 5,000 years of urban history, few details eluded him. On the functional benefits of narrow streets, both in northern and southern climates, using what we might today call "original green" techniques:
Still, like Jacobs, Mumford was a perceptive observer of the urban form, and even in a book covering some 5,000 years of urban history, few details eluded him. On the functional benefits of narrow streets, both in northern and southern climates, using what we might today call "original green" techniques:
"Not by accident did the medieval townsman, seeking protection against winter wind, avoid creating such cruel wind tunnels as the broad, straight street. The very narrowness of medieval streets made their outdoor activities more comfortable in winter. But likewise, in the south, the narrow street with broad overhangs protected the pedestrian against both rain and the sun's direct glare." p. 308In response to Corbusier's derogatory reference to emergent street plans as the product of "donkey paths":
"Those who refer to the winding streets of such a town as mere tracings of the cowpath do not realize that the cow's habit of following contours usually produces a more economical and sensible layout on hilly sites than any inflexible system of straight streets." p. 301
Following a discussion of the relative space allotted for public buildings and streets in L'Enfant's plan for Washington D.C., and observing the "absurd" ratio between the two, he noted:
Finally, Mumford was one of the few writers of his time to note the "heroic materialist" aesthetic underlying the design of the streets of 19th century American cities:
"The other fact that redeemed L'Enfant's original plan, though it did not add to its beauty, was the filling up of the overload of wide streets with sufficient wheeled traffic to justify their existence: this came in only with the motor car. Though motor traffic has now caught up with the plan, clogging the most extravagant arteries, and hiding the verdure behind a wall of parked cars, Washington has proved a classic testing station for the question of whether a city dedicated wholeheartedly to traffic could sufficiently survive for any other purposes." p. 408In the case of Washington, it was a test which was cut short when, some years later, the city cancelled the majority of its ambitious plans for a downtown freeway network and instead began the construction of Metro.
Finally, Mumford was one of the few writers of his time to note the "heroic materialist" aesthetic underlying the design of the streets of 19th century American cities:
"Even where overcrowding of the land did not exist – for example in many of the smaller towns of midland America – the broad street or avenue was valued as a symbol of progress: so that it was laid out with an amplitude that bore no functional relation to its present or its potential use. . . ." p. 427
Ultimately, Mumford's keen eye for urban details and his appreciation of the medieval city did not translate into a direct advocacy for anything resembling medieval urban form, which he apparently considered excessively dense. Still, the derided superblock, the setting for dozens of the garden-style housing projects that Mumford advocated, was with its approach toward the car perhaps more sensitively designed than the current historical narrative would have it. Of all Mumford's observations, it is his identification of the car, or rather the prioritization the needs of the car in urban planning decisions, as the greatest long-term threat to the health of the city, that seems to resonate most strongly today.
Related posts:
Jane Jacobs on Narrow Streets
Related posts:
Jane Jacobs on Narrow Streets